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・ Der Postillon
・ Der Postmeister
・ Der Preis fürs Überleben
・ Der Prins muß her
・ Der Göttergatte
・ Der Half-Machine 10"
・ Der Hamburger und Germania Ruder Club
・ Der Handschuh
・ Der Handschuh (Waterhouse)
・ Der Hauptmann von Köpenick
・ Der Hauptmann von Köpenick (1997 film)
・ Der Haus-Tyrann
・ Der Hausgeist
・ Der Havelkaiser
・ Der Heiland auf dem Eiland
Der Heilige
・ Der Heiligen Leben
・ Der heimliche Aufmarsch
・ Der Herr denket an uns, BWV 196
・ Der Herr der Liebe
・ Der Herr der Ringe
・ Der Herr im Haus
・ Der Herr ist mein getreuer Hirt, BWV 112
・ Der Herr ist mit mir (Buxtehude)
・ Der Herrscher
・ Der Herzensphotograph
・ Der Hexenkreis
・ Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a
・ Der Himmel lacht! Die Erde jubilieret, BWV 31
・ Der Hohenfriedberger


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Der Heilige : ウィキペディア英語版
Der Heilige

''Der Heilige'' (The Saint; 1879) is a short historical novel by Conrad F. Meyer derived from the story of Thomas Becket and Henry II of England.
==Description==
The novel is about the length of ''Silas Marner'', and is centered on the great quarrel between Henry II and his Chancellor and Primate of England, Thomas Becket. Although in a broad sense based on history, its psychology is fancifully developed from a medieval legend found by Meyer in 1853 in Thierry's ''Histoire de la Conquête de l'Angleterre par les Normands'' (History of the Conquest of England by the Normans; 1825, Book IX), according to which Becket was the son of an Englishman and of the sister of the Kalif of Cordova.
The story of Henry's amours with beautiful Rosamond Clifford in the hidden bower suggested the secret palace in which Meyer's Becket rears his daughter Grace to save her from royal lechery. The accidental slaying of Grace after her seduction by the king inspires in Becket a deep-laid plot for revenge under the veil of pretended loyalty and later of saintly devotion when he becomes Primate on Henry's nomination, whereby he drives the king to alternate fits of despair and fury over the loss of political advantages and of the love of his queen and sons. The tragic ending is historical.
The story is put in the mouth of a Swiss bowman, who is supposed to have come on his wanderings to London, where he entered the service of the king and was a minor actor in all the events he relates. The style is vivid, swift and powerful, and the diction of wonderful force and color, suggestive of a Gobelin tapestry, or as Keller said, “brocade.” It is Meyer's most finished production, possibly his best. The English reader will find it curious to compare it with Tennyson's ''Becket''.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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